Apple Soundtrack Pro 2 Manuale Utente Pagina 103
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Chapter 3 Setting Up Soundtrack Pro 103
Video Out Preferences
These preferences let you specify settings for video output from Soundtrack Pro.
 Video Output Device pop-up menu: Choose a video output device, or choose None.
 Use Quarter-size Frames checkbox: Select to send video to the output device as
quarter-size frames. Quarter-size frames require less data throughput and can be sent
more efficiently than full-size frames.
- Soundtrack Pro 2 1
- User Manual 1
- Contents 3
- Contents 7 7
- 8 Contents 8
- Contents 9 9
- 10 Contents 10
- An Introduction 11
- Apple Websites 19
- Setting Up Your System 21
- Hard Disks 22
- Connecting Equipment 23
- Video Device 24
- Audio Device 24
- Video and Audio Interfaces 25
- Amplifiers 26
- Control Surfaces 26
- Example Hardware Setups 27
- The Soundtrack Pro Interface 33
- Showing and Hiding the Panes 34
- Rearranging Tabs 36
- Project Pane 37
- Transport Controls 38
- Timeline Controls 42
- Channel strips 44
- Channel Strip and Mixer 44
- Automation Mode 44
- Multitake Editor 46
- Item list 48
- Preview controls 48
- Media pop-up menu 48
- Items pop-up menu 48
- Columns pop-up menu 48
- Meters Tab 49
- Recording Tab 50
- Search Tab 52
- Favorites Tab 54
- Video Tab 55
- Project Tab 55
- Details Tab 57
- Effects Tab 60
- Tracks Tab 61
- Actions Tab 62
- Analysis Tab 63
- Timecode HUD 64
- Sound Palette 64
- Multipoint Video HUD 64
- Setting Up Soundtrack Pro 65
- Setting Up Your Workspace 67
- Using Tabs 68
- Using Project Layouts 68
- Customizing the Toolbar 69
- Playing Projects 71
- Setting the Playhead Quickly 72
- Enter a time position in 73
- Enter a beat position 73
- Using Value Sliders 75
- Using Timecode Value Sliders 76
- Scrubbing Audio 77
- Scrubbing Video 77
- Supported Audio File Formats 79
- Supported Video File Formats 79
- Looping and Non-Looping Files 79
- Double-click a folder to 80
- Using Search to Locate Files 81
- Select a keyword 82
- Search Results area 82
- Search Text field 82
- Click a button to display 84
- Using the Bin 87
- Previewing Audio Files 91
- Using Undo and Redo 93
- Using Snapping 94
- Reconnecting Media Files 96
- General Preferences 97
- Project Preferences 99
- Recording Preferences 100
- Synchronization Preferences 101
- Control Surfaces Preferences 102
- Video Out Preferences 103
- 105 105
- Closing Multitrack Projects 106
- Setting Project Properties 106
- Clips or Sequences 106
- Sample Rate 107
- Overlap Mode 108
- Envelope Selection Mode 108
- Project Time Format 109
- Setting the Project Length 110
- Saving Multitrack Projects 111
- Edited Media Location 112
- Scratch Location 112
- Recordings Location 112
- Drag the file from a media 113
- Clip Properties 114
- Setting Clip and Track Colors 116
- Choose a clip color from 117
- Enabling and Disabling Clips 118
- Choose Lock Clip from 119
- Choose Lock Selected Track 120
- Choose a channel from 121
- The clip’s waveform 121
- Drag multiple mono 123
- Timeline to create a 123
- Submix bus 124
- Submixes 125
- The Master Bus 126
- Working in the Timeline 127
- Using the Scroll Bars 128
- Using the Zoom Control 129
- { Moves through 130
- “ Moves through 130
- Setting Track Height 132
- Using the Time Ruler 133
- Working with the Cycle Region 134
- The selected track is 136
- Using the Track Controls 142
- Click the Solo button to 144
- Click the envelopes 146
- The envelopes appear 146
- Timeline 146
- The clips at and 150
- Removing Audio Clips 152
- The Spot to Timeline 153
- Moving Clips 154
- Moving Clips Numerically 155
- Resizing Audio Clips 156
- Logarithmic 159
- Exponential 159
- Crossfade Mode button 160
- Crossfade 160
- Selection Tool 164
- Timeslice Tool 164
- Blade and Blade All Tools 164
- Timeline Editing Tools HUD 165
- Editing in Place 166
- Multitrack Project 166
- Blade Tool button 171
- Click the clip with the 171
- Blade tool to split it 171
- Blade All Tool button 171
- Joining Audio Clips 173
- Timeslice selection 175
- File Editor selection 175
- Shift-click 177
- Timeslice 177
- Phase 179
- Choose Add or Replace 180
- Working with Markers 183
- Naming Markers 184
- Moving Markers 184
- Using Markers with Video 185
- With Markers selected 186
- Click the marker handle at 187
- The marker is scored 187
- Editing Audio Files 191
- Spectrum view 192
- Audio File Projects 193
- Select a clip in the 198
- ...to work with it in the 198
- File Editor 198
- Solo button 199
- Preview Volume slider 199
- Link button 199
- Scrubbing Audio Files 200
- Shift-drag to create 201
- Scrub tool 201
- Selected area 202
- Left channel selected 203
- Right channel 203
- Moving Between Selections 205
- Frequency Selection Tool 208
- Sample Edit Tool 209
- Audio Stretching Tool 210
- Zoom Tool 211
- Editing Multichannel Files 212
- Using Frequency Spectrum View 214
- Frequency Spectrum 215
- View button 215
- Waveform View button 215
- Using the Spectrum View HUD 216
- Processing Audio Files 219
- Fade Out 220
- Normalize 221
- Adjust Amplitude 221
- Time Stretch 224
- Noise Reduction 225
- Adding Ambient Noise 227
- Equalization Matching 228
- Convert to Mono 228
- Resample 229
- Swap Channels 229
- Reorder Channels 229
- Render to Action 229
- Working with Actions 230
- Editing Actions 231
- Turning Actions On and Off 231
- Reordering Actions 232
- Using the Action Insert Bar 232
- Flattening Actions 233
- Deleting Actions 235
- Analyzing an Audio File 236
- Phase Issues 237
- Setting Analysis Parameters 238
- Reading Analysis Results 238
- Fixing Analyzed Problems 240
- Closing Audio File Projects 242
- Drag this rectangle to a 249
- Using the Multitake Editor 251
- What Is ADR? 252
- Multitake Clips 252
- Creating Multitake Clips 252
- Slipping Take Regions 255
- Adding and Deleting Takes 256
- Renaming Takes 256
- Reordering Takes 257
- Drag the transition point 259
- 261 261
- Steps in Mixing 262
- Master bus 263
- Hardware 263
- Submix busTrack 263
- Tracks Submix bus 264
- Setting Hardware Outputs 265
- Creating Submixes 266
- Creating a Stereo Mix 267
- Using Sends and Busses 270
- Audio clip 272
- Volume fader 272
- Using the Mixer 273
- Selecting Channel Strips 276
- Reordering Channel Strips 276
- Copying Channel Strips 276
- Volume value slider 277
- Pan slider 278
- Pan value slider 278
- Setting Channel Strip Output 279
- Mute button 280
- Arm for Recording 280
- Bypass Effects button 280
- Renaming Channel Strips 281
- Changing a Channel Strip Icon 281
- Show (Mixer) pop-up menu 282
- Channel Strip 282
- Removing Channel Strips 283
- Turning Effects Off and On 285
- Replacing an Effect 286
- Reordering Sends in the Mixer 287
- Showing Send Settings 287
- Turning Sends Off and On 287
- Level meters 288
- Reset button 288
- Peak Value and 288
- Location display 288
- Using the Master Bus 290
- Recording Audio in the Mixer 291
- Creating Multiple Mixes 292
- Mixing Surround Sound 293
- Setting Up for Surround 294
- Using the Surround Panners 295
- Connecting Physical Outputs 297
- Stereo Mixdown 297
- Surround Speaker Placement 298
- The Mini Surround Panner 299
- The Surround Panner HUD 300
- ... to alter the angle from 301
- Drag the Rotation slider 301
- Collapse at 0 302
- Collapse at 95Collapse at 50 302
- Surround Panner Automation 303
- Surround Metering 304
- Mixer Meters 305
- Surround Mixing Strategies 306
- Set all panners to 308
- Using the Center Channel 310
- Using Surround Channels 310
- Accommodating Stereo Playback 312
- Mixdowns 312
- Project Files 313
- Working with Video 315
- Adding a Video to a Project 316
- Playing the Video 317
- Resizing the Video Tab 318
- Using Video Output Devices 318
- Viewing Video Details 320
- Working with a Video’s Audio 321
- The Time ruler units adjust 322
- The Time display adjusts 322
- Working with Audio Effects 327
- Applying Processing Effects 328
- Applying Realtime Effects 329
- Working with Effect Presets 330
- Dynamics Effects 332
- Distortion Effects 333
- EQ and Filter Effects 334
- Modulation Effects 336
- Reverb and Delay Effects 337
- Space Designer plug-in 338
- Meters and Diagnostic Effects 339
- Miscellaneous Effects 341
- Working with Realtime Effects 343
- Adding Realtime Effects 344
- Bypassing Realtime Effects 349
- Adding Sends to Tracks 349
- Adjusting Send Volume 350
- Adjusting Send Pan Position 351
- Reordering Sends 351
- Bypassing Sends 351
- Removing Realtime Effects 352
- Working with Automation 355
- Click the envelope 356
- The envelopes are 356
- Adding Envelope Points 357
- Selecting Envelope Points 357
- Moving Envelope Points 358
- Nudging Envelope Points 362
- Deleting Envelope Points 363
- Master Bus 364
- Recording Automation Data 365
- Recording Audio 367
- Enabling Tracks for Recording 368
- Adjusting Recording Settings 369
- Surround 370
- 4-channel 370
- Recording a Single Take 371
- Multitrack Recording 371
- Recording Multiple Takes 372
- Editing Multitake Clips 373
- Creating Podcasts 377
- Podcasting Media Production 378
- Choose Podcast Track 379
- Podcast track 379
- Video track 379
- Adding Markers to a Podcast 381
- Adding Images to a Podcast 384
- Exporting Podcasts 387
- Exporting Video Podcasts 388
- Using Control Surfaces 391
- Premapped Controls 393
- Exporting Multitrack Projects 395
- About the Export Dialog 396
- Exporting a Master Mix 397
- MP3 export options 400
- AAC Audio export options 402
- AAC Streaming 403
- AAC Podcast 404
- AC-3 Audio 405
- Choose the audio channel 406
- Coding Mode pop-up menu 406
- AC-3 Bitstream 408
- Using Compressor 411
- Choose an export 412
- Compressor Export 412
- Options dialog 412
- Output File Names 414
- Effect Tails 414
- Using Post-Export Actions 416
- Custom Actions 417
- Using Export Presets 418
- Exporting to AAF 419
- Using Soundtrack Pro 421
- About Soundtrack Pro Scripts 425
- Importing OMF and AAF Files 435
- Using OMF and AAF Files 436
- Exporting Audio Files 437
- About Conforming Manually 439
- Using Soundtrack Pro Conform 439
- Select “Save project with 440
- (recommended)” 440
- Filtering Out Unchanged Clips 444
- Approving Changes and Clips 446
- Filtering Out Approved Clips 447
- Finishing the Conform Process 448
- Soundtrack Pro 449
- Keyboard Shortcuts 449
- Layouts, Tabs, and HUDs 450
- Navigating the Timeline 451
- Project Playback 451
- Cycle Region 452
- General Editing 453
- Viewing the Timeline 455
- Timeline Tools 456
- Tracks, Busses, and Submixes 458
- Video Out 460
- Recording 460
- Working with Timeslices 461
- Audio Fundamentals 463
- In phase 464
- Separate signals 464
- Mixed signals 464
- Out of phase 464
- Frequency Spectrum of Sounds 465
- Measuring Sound Intensity 467
- What Is a Decibel? 468
- Signal-to-Noise Ratio 469
- Headroom and Distortion 470
- Dynamic Range and Compression 470
- Stereo Audio 471
- Identifying Stereo Recordings 472
- Digital Audio 473
- Bit Depth 474
- Analog waveform Audio sample 475
- Sine Square 475
- 2-bit1-bit 476
- 16-bit4-bit 476
- Video Interfaces 477
- PCI Video Interface Card 478
- Video Signals and Connectors 480
- Composite 481
- FireWire 400 482
- FireWire 800 483
- HDMI connector 484
- SCART connector 484
- Setting Up an Audio Interface 485
- TOSLINK optical 486
- Audio or video device 486
- Computer 486
- FireWire for Digital Audio 488
- USB Audio Interfaces 488
- PCI Audio Interface Cards 489
- RCA connector 491
- XLR connector 492
- TOSLINK connector 493
- TDIF connector 493
- About Balanced Audio Signals 494
- Combined signals 496
- (noise eliminated) 496
- Flat Not flat 497
- Analog or digital VTR 505
- Breakout box 505
- Blackburst 505
- Setting Up the MTC Generator 507
- MIDI Sync button 508
- Working with Apogee Hardware 509
- Global Parameters 510
- Units Parameters 511
- Inputs Tab 512
- Setup Buttons 514
- Solutions to Common Problems 515
- Calling AppleCare Support 517
- Using Apple Loops Utility 519
- Assets drawer 520
- Playback controls 520
- Main window 520
- Tags Tab 521
- Transients Tab 523
- Assets Drawer 524
- Working With Transients 528
- Saving Changes to Files 530
- General and File 532
- Navigation 532
- Key and Scale Type Tagging 533
- Descriptor Tagging 534
- Transients 535
- 537 537
- 538 Index 538
- Index 539 539
- 540 Index 540
- Index 541 541
- 542 Index 542
- Index 543 543
- 544 Index 544
- Index 545 545
- 546 Index 546
- Index 547 547
- 548 Index 548
- Index 549 549
- 550 Index 550
- Index 551 551
- 552 Index 552
- Index 553 553
- 554 Index 554
- Index 555 555
- 556 Index 556
- Index 557 557
- 558 Index 558
- Index 559 559
- 560 Index 560
- Index 561 561
- 562 Index 562
- Index 563 563
- 564 Index 564
- Index 565 565
- 566 Index 566
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