Apple Final Cut Express HD Manuale Utente Pagina 81
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Chapter 6 Viewer Basics 81
II
To open a clip in the Viewer from the Browser, do one of the following:
m In the Browser, double-click the clip.
m Drag the clip from the Browser to the Viewer.
m In the Browser, select the clip and press Return.
Note: In the Browser, pressing Enter is different from pressing Return. Pressing Enter
allows to you to rename the clip.
m In the Browser, Control-click the clip, then choose Open in Viewer from the shortcut menu.
m In the Browser, select the clip, then choose View > Clip.
m In the Viewer, select a clip name from the Recent Clips pop-up menu in the lower-right
area of the window.
To open a sequence clip in the Viewer from the Timeline or Canvas, do one of
the following:
m In the Timeline, double-click the clip.
m In the Timeline or Canvas, move the playhead over the clip, then press Return or Enter.
The clip on the lowest-numbered track with Auto Select enabled is opened in the Viewer.
m In the Timeline, select the clip and press Return or Enter.
m Drag the clip from the Timeline to the Viewer.
Sprocket holes
indicate that this is
a sequence clip
- Final Cut Express HD 1
- User Manual 1
- © 2005 Jean-Paul Bonjour; 2
- © 2005 Eric Escobar 2
- Contents 3
- Part VI Rough Editing 7
- 8 Contents 8
- Contents 9 9
- 10 Contents 10
- Contents 11 11
- 12 Contents 12
- Contents 13 13
- Part VIII Audio Mixing 14
- Contents 15 15
- Part IX Effects 16
- Contents 17 17
- 18 Contents 18
- Contents 19 19
- 20 Contents 20
- Part XII Output 21
- 22 Contents 22
- Part XIII Appendixes 23
- 24 Contents 24
- Documentation and Resources 25
- Apple Websites 26
- Part I: An Introduction 27
- About the Post-Production 29
- Workflow 29
- The Post-Production Workflow 30
- Video Formats and Timecode 35
- Video Format Basics 36
- What Are Media Files? 39
- What Are Clips? 40
- What Are Sequences? 41
- What Are Projects? 42
- Organizing Your Projects 44
- Creating and Saving Projects 44
- Opening and Closing Projects 46
- To switch between 47
- Filenaming Considerations 49
- Avoiding Special Characters 50
- Using Filename Extensions 51
- Using Multiple Hard Disks 51
- Part II: Learning About the 53
- Overview of the 55
- Using Button Bars 57
- Using Shortcut Menus 58
- Moving Windows 62
- Undoing and Redoing Changes 63
- Browser Basics 65
- Learning About the Browser 66
- Working in the Browser 67
- Using Columns in the Browser 69
- Choosing Views in the Browser 70
- Thumbnails appear as 72
- The thumbnail you’re 73
- Enter the new 73
- Thumbnails of 74
- Video clip with audio 74
- Audio clip 74
- Before using the 76
- Arrange command 76
- After using the 76
- Setting the Poster Frame 77
- Viewer Basics 79
- Opening a Clip in the Viewer 80
- Chapter 6 Viewer Basics 81 81
- Learning About the Viewer 82
- Tabs in the Viewer 83
- Filters Tab 84
- Motion Tab 84
- Controls Tab 84
- Playhead Controls 85
- Jog Control 86
- Shuttle Control 86
- Zoom and View Pop-Up Menus 88
- View Pop-Up Menu 89
- Recent Clips Pop-Up Menu 90
- Generator Pop-Up Menu 90
- Canvas Basics 91
- Learning About the Canvas 93
- Edit Overlay 95
- Chapter 7 Canvas Basics 97 97
- 101 101
- Playing Clips and Sequences 102
- To move around, drag the 104
- { Moves through 105
- “ Moves through 105
- Looping Playback 107
- Current Timecode field 108
- Timecode Duration field 108
- Dragging Timecode Values 110
- Timeline Basics 111
- Learning About the Timeline 114
- Editing Controls 115
- Vertical Multitrack Controls 116
- Horizontal Time Controls 117
- Zoom control 118
- Timeline Display Controls 119
- Audio Controls 120
- Other Miscellaneous Controls 120
- Speed change 121
- Stereo pair indicator 121
- Click here to view the 124
- Track Layout pop-up 124
- Audio waveform 125
- Without audio 125
- Pop-Up Menu 126
- Navigating in the Timeline 127
- Before zooming in 131
- The playhead remains 131
- After zooming in 131
- Position of playhead 132
- One-minute increment 132
- Scroll bar 133
- Customizing the Interface 135
- Default Two Up layout 136
- Layout after making the 136
- Browser and Timeline 136
- Using Screen Layouts 137
- Choosing a Screen Layout 138
- Customizing Screen Layouts 138
- Removing Shortcut Buttons 141
- Part III: Setting Up Your 143
- Editing System 143
- Connecting Your Equipment 145
- What Is an Easy Setup? 146
- Choosing an Easy Setup 147
- What Is FireWire? 150
- What Is Device Control? 151
- Device status 152
- Determining Your Hard Disk 153
- Storage Options 153
- Know Your Shooting Ratio 154
- Choosing a Hard Disk 156
- Types of Hard Disk Drives 157
- FireWire Disk Drives 158
- SCSI Disk Drives 159
- Using a RAID or Disk Array 160
- External Video Monitoring 161
- FireWire 162
- Chapter 16 Working With HDV 169
- 171 171
- Transport Controls 174
- Jog and Shuttle Controls 174
- Marking Controls 175
- Capture Tab 175
- Logging Fields 176
- Marker Controls 177
- Using Slate Buttons 177
- Preparing to Capture 178
- Logging Your Tapes 179
- Choosing a Filenaming Scheme 180
- The slate icon appears 182
- Enter the Out point 183
- Enter the In point 183
- Using Capture Now 185
- Setting Markers 188
- Recapturing Clips 189
- Number on a Single Tape 196
- Importing Media Files 199
- Into Your Project 199
- About Importing Video Files 203
- About Importing Audio Files 204
- Working With HDV 207
- About MPEG-2 Compression 208
- More About Long-GOP Video 209
- HDV Format Specifications 214
- Part V: Organizing Footage 217
- Organizing Footage 219
- Creating New Bins 220
- Opening Bins in the Browser 221
- Drag the bin’s tab above 224
- The bin now has its own 224
- Moving Items Between Bins 225
- You can also move 226
- About Search Options 228
- Search Commands 230
- Specify your 231
- Then click here 231
- A list of unused clips is 233
- Results window 233
- Using Markers 235
- Types of Markers 237
- Working With Markers 238
- Add Marker button 239
- Navigating With Markers 243
- Moving a Marker 245
- Enter the new time here 246
- Extending a Marker’s Duration 248
- Creating Subclips 251
- Removing Subclip Limits 253
- Turning Markers Into Subclips 254
- Creating Subclips Manually 256
- Editing With Subclips 256
- Markers for a clip 257
- All of the material 258
- Part VI: Rough Editing 259
- 261 261
- Working With Projects 262
- Returning to Saved Projects 264
- Types of Clips 265
- Sequences as Clips 266
- Finding a Clip’s Media File 268
- 270 Part VI Rough Editing 270
- Opening and Closing Sequences 271
- Duplicating a Sequence 272
- Nesting a Sequence 273
- When Rendering Is Required 274
- The Fundamentals 275
- 276 Part VI Rough Editing 276
- Undoing and Redoing Actions 278
- 280 Part VI Rough Editing 280
- 282 Part VI Rough Editing 282
- Setting Edit Points 283
- 284 Part VI Rough Editing 284
- The Out point includes 285
- 286 Part VI Rough Editing 286
- Mark Out button (O) 287
- Mark In button (I) 287
- 288 Part VI Rough Editing 288
- Reviewing Your Edit Points 289
- 290 Part VI Rough Editing 290
- 292 Part VI Rough Editing 292
- In point 293
- The new clip begins at 293
- 294 Part VI Rough Editing 294
- In and Out points are 295
- The new clip’s duration is 295
- 296 Part VI Rough Editing 296
- Move the playhead 297
- Auto Select is enabled for 297
- 298 Part VI Rough Editing 298
- Select the desired clips 299
- 300 Part VI Rough Editing 300
- Moving In and Out Points 301
- 302 Part VI Rough Editing 302
- Clearing In and Out Points 303
- Working With Tracks 305
- Adding Tracks 306
- Deleting Tracks 308
- Setting Destination Tracks 310
- 312 Part VI Rough Editing 312
- 314 Part VI Rough Editing 314
- Resizing Timeline Tracks 316
- Track Height control 317
- 318 Part VI Rough Editing 318
- Drag the center slider 319
- To eliminate audio tracks 319
- Drag-to-Timeline Editing 321
- 322 Part VI Rough Editing 322
- 324 Part VI Rough Editing 324
- 326 Part VI Rough Editing 326
- Three-Point Editing 329
- 330 Part VI Rough Editing 330
- Using Keyboard Shortcuts 331
- 332 Part VI Rough Editing 332
- Performing an Insert Edit 333
- 334 Part VI Rough Editing 334
- Insert with Transition 335
- Overlay in the Canvas 335
- Performing an Overwrite Edit 336
- 338 Part VI Rough Editing 338
- Performing a Replace Edit 339
- 340 Part VI Rough Editing 340
- Replace section 341
- 342 Part VI Rough Editing 342
- 344 Part VI Rough Editing 344
- Before a replace edit 345
- After a replace edit 345
- New clip replaces the 345
- Superimposing Clips 346
- Three-Point Editing Examples 348
- Move the playhead to the 349
- The new clip starts 349
- 350 Part VI Rough Editing 350
- In and Out points 351
- The new clip fills 351
- 352 Part VI Rough Editing 352
- You can use this method 352
- Into Your Sequence 353
- 354 Part VI Rough Editing 354
- 355 355
- 356 Part VI Rough Editing 356
- 358 Part VI Rough Editing 358
- Selecting Clips 360
- Drag to select the 361
- Selecting Multiple Clips 362
- 364 Part VI Rough Editing 364
- Select All Tracks Forward 365
- Select All Tracks 365
- Backward 365
- 366 Part VI Rough Editing 366
- 368 Part VI Rough Editing 368
- 370 Part VI Rough Editing 370
- After deleting; only 371
- Auto Select control 371
- 372 Part VI Rough Editing 372
- 373 373
- 374 Part VI Rough Editing 374
- Moving by Dragging 375
- Moving Clips Numerically 376
- The number 377
- Clip items to be moved 377
- Clip Collision message 377
- Performing Shuffle Edits 378
- 380 Part VI Rough Editing 380
- 382 Part VI Rough Editing 382
- 384 Part VI Rough Editing 384
- Before edit 385
- After edit 385
- Selected clip 385
- 386 Part VI Rough Editing 386
- Finding and Closing Gaps 387
- 388 Part VI Rough Editing 388
- 390 Part VI Rough Editing 390
- Cutting Clips 391
- 392 Part VI Rough Editing 392
- The Razor Blade All 393
- 394 Part VI Rough Editing 394
- 396 Part VI Rough Editing 396
- Linking and Editing 397
- Video and Audio in Sync 397
- 398 Part VI Rough Editing 398
- Audio moved away 399
- Audio moved back 399
- 400 Part VI Rough Editing 400
- Linked Audio Items 401
- 402 Part VI Rough Editing 402
- 404 Part VI Rough Editing 404
- Moving a Clip Into Sync 406
- 408 Part VI Rough Editing 408
- Before syncing 409
- After syncing 409
- 410 Part VI Rough Editing 410
- Between Linked Clip Items 411
- 412 Part VI Rough Editing 412
- Split Edits 415
- 416 Part VI Rough Editing 416
- Chapter 30 Split Edits 417 417
- 418 Part VI Rough Editing 418
- Chapter 30 Split Edits 419 419
- 420 Part VI Rough Editing 420
- Split Edit Examples 421
- 422 Part VI Rough Editing 422
- Chapter 30 Split Edits 423 423
- 424 Part VI Rough Editing 424
- Audio Editing Basics 425
- 426 Part VI Rough Editing 426
- Waveforms for a stereo 427
- 428 Part VI Rough Editing 428
- 430 Part VI Rough Editing 430
- Editing Audio in the Viewer 431
- 432 Part VI Rough Editing 432
- Zoom slider 433
- 434 Part VI Rough Editing 434
- 436 Part VI Rough Editing 436
- Audio selected 437
- Linked Selection 437
- Editing Audio in the Timeline 438
- 440 Part VI Rough Editing 440
- 442 Part VI Rough Editing 442
- 444 Part VI Rough Editing 444
- A wide playhead bar in 445
- 446 Part VI Rough Editing 446
- The long pause in your 447
- Paste the pause section 447
- 448 Part VI Rough Editing 448
- 450 Part VI Rough Editing 450
- Sliding Clips in the Timeline 453
- The timecode entry field 456
- You slip items using 457
- Drag point 458
- Entire length of media 458
- Performing Ripple Edits 462
- These clips move left 465
- This clip shortens 465
- Roll edits are done 471
- Selected edit point 472
- Edit being rolled 473
- After the roll edit, the 473
- Tips for Using the Roll Tool 475
- Learning About Trimming Clips 477
- Click here to turn linked 479
- Click here to turn 479
- Selecting Single Edit Points 482
- One edit per track is 483
- Trimming Clips in the Viewer 486
- Moving Clips Using Timecode 488
- The clips move forward 489
- Media Limit message 491
- Trimming Clips 493
- Using the Trim Edit Window 493
- Outgoing clip 494
- Incoming clip 494
- Green bar 494
- Go to Previous Edit 497
- Go to Next Edit 497
- Play Around Edit Loop 497
- Play In to Out 497
- Dynamic Trimming 501
- Adding Transitions 507
- Common Types of Transitions 508
- A transition between 509
- The center line 509
- Having Handles at Edit Points 510
- The added transition 512
- Drag the transition to 516
- Deleting Transitions 517
- Enter the desired 518
- Before a roll edit 519
- After a roll edit with the 519
- Replacing Transitions 520
- Sequence Settings window 521
- Refining Transitions 525
- Using the Transition Editor 525
- Alignment buttons 527
- Recent Clips pop-up 527
- Drag hand 527
- Reverse Transition button 529
- Reset button 530
- Canvas to help you determine 534
- Rendering Transitions 537
- Sequence to Sequence Editing 539
- 4 Do one of the following: 541
- Nesting Sequences 544
- After the Nested Sequence 546
- Without Nesting It 547
- A highlighted area shows 550
- Matching Frames 551
- Working With Timecode 557
- Clip Time Versus Source Time 558
- Part VIII: Audio Mixing 559
- Overview of Audio Mixing 561
- 562 Part VIII Audio Mixing 562
- Cleaning Up Audio 564
- Adding Audio Filters 564
- Making the Final Mix 565
- Adjusting Pan 566
- Setting Up Audio Equipment 567
- Choosing an Audio Interface 568
- Flat Not flat 569
- Amplifiers and Signal Levels 570
- Using Headphones 571
- About Balanced Audio Signals 572
- Inverted signal 573
- (inverted again) 573
- Combined signals 573
- (noise eliminated) 573
- Audio Connectors 574
- 576 Part VIII Audio Mixing 576
- 578 Part VIII Audio Mixing 578
- Audio Fundamentals 579
- Fundamentals of a Sound Wave 580
- Frequency Spectrum of Sounds 581
- Measuring Sound Intensity 582
- Decibel Units 583
- Signal-to-Noise Ratio 584
- Headroom and Distortion 584
- Dynamic Range 585
- Stereo Audio 586
- Identifying Stereo Recordings 587
- Digital Audio 588
- Sample Rate 589
- 2 bit1 bit 591
- 16 bit4 bit 591
- Audio Levels, Meters 593
- 594 Part VIII Audio Mixing 594
- Analog Versus Digital Meters 595
- What Does 0 dB Mean? 596
- Avoiding Audio Clipping 597
- Setting Proper Audio Levels 598
- Stereo Versus Dual Mono Audio 600
- Mixing Audio 601
- 602 Part VIII Audio Mixing 602
- 604 Part VIII Audio Mixing 604
- 606 Part VIII Audio Mixing 606
- Panning Audio in the Timeline 607
- 608 Part VIII Audio Mixing 608
- The pointer turns into an 609
- Adjust Line Segment pointer 609
- As you drag, a box displays 609
- Tools for Adjusting Keyframes 610
- Pen tool 611
- 612 Part VIII Audio Mixing 612
- Adjust Line Segment 613
- Keyframe being moved 613
- 614 Part VIII Audio Mixing 614
- 616 Part VIII Audio Mixing 616
- Lowered levels 617
- Adjust the slope of 617
- 618 Part VIII Audio Mixing 618
- The problem samples 619
- The overlay looks 619
- 620 Part VIII Audio Mixing 620
- Using the Voice Over Tool 623
- 624 Part VIII Audio Mixing 624
- Microphone 625
- USB audio 625
- PowerBook 625
- Headphones 625
- 626 Part VIII Audio Mixing 626
- 628 Part VIII Audio Mixing 628
- 630 Part VIII Audio Mixing 630
- 632 Part VIII Audio Mixing 632
- 634 Part VIII Audio Mixing 634
- The newly recorded 635
- Recording a Voiceover 636
- Recording Multiple Takes 637
- 638 Part VIII Audio Mixing 638
- Using Audio Filters 639
- Overview of Audio Filters 640
- Compression 642
- Expansion 643
- Noise Reduction Filters 644
- Echo and Reverb Filters 645
- 646 Part VIII Audio Mixing 646
- Working With Audio Filters 647
- 648 Part VIII Audio Mixing 648
- Select several filters 649
- ...then drag them to the 649
- Timeline 649
- 650 Part VIII Audio Mixing 650
- 652 Part VIII Audio Mixing 652
- Tips for Better Audio 653
- Tips for Cutting Dialogue 654
- Shows how you can 655
- 656 Part VIII Audio Mixing 656
- Tips for Cutting Music 658
- Instead of placing audio 659
- ... do this 659
- Organizing Your Tracks 660
- Part IX: Effects 661
- Video Filters 663
- Applying a Filter to a Clip 664
- Drag the filter from 665
- ... to a clip in the 665
- 666 Part IX Effects 666
- Select multiple filters 667
- Then, drag the filters to 667
- 668 Part IX Effects 668
- Using Filter Controls 669
- 670 Part IX Effects 670
- Angle control 671
- 672 Part IX Effects 672
- Filter bar for a video track 673
- Clip Keyframes button 673
- 674 Part IX Effects 674
- Removing Filters From Clips 675
- Blur Filters 676
- Border Filters 676
- Channel Filters 677
- Color Correction Filters 677
- Distort Filters 678
- Image Control Filters 679
- Key Filters 680
- Matte Filters 682
- Perspective Filters 684
- Sharpen Filters 684
- Stylize Filters 685
- Changing Motion Parameters 689
- 690 Part IX Effects 690
- Some parameters must 691
- Motion Blur parameters 691
- Drop Shadow parameters 691
- Controls in the Motion Tab 692
- 694 Part IX Effects 694
- Canvas center point 695
- -360 pixels +360 pixels 695
- -240 pixels 695
- +240 pixels 695
- 696 Part IX Effects 696
- Initial background layer 697
- Sequence In and 697
- Out points 697
- 698 Part IX Effects 698
- 700 Part IX Effects 700
- 702 Part IX Effects 702
- 704 Part IX Effects 704
- 706 Part IX Effects 706
- Choosing a Wireframe Mode 707
- 708 Part IX Effects 708
- Zooming In to the Canvas 709
- 710 Part IX Effects 710
- 712 Part IX Effects 712
- 714 Part IX Effects 714
- 716 Part IX Effects 716
- Use the Distort tool to 717
- Adjusting Parameters 719
- How Keyframing Works 720
- Keyframe 2 721
- Keyframe 1 721
- Keyframe 3 721
- 722 Part IX Effects 722
- Setting Keyframes 723
- 724 Part IX Effects 724
- Moving Between Keyframes 725
- 726 Part IX Effects 726
- 728 Part IX Effects 728
- Layer the clips, with one 729
- 730 Part IX Effects 730
- 732 Part IX Effects 732
- Smoothing Keyframes 734
- What Are Motion Paths? 735
- Creating Motion Paths 736
- With the Selection tool 737
- 738 Part IX Effects 738
- 740 Part IX Effects 740
- 742 Part IX Effects 742
- The pointer changes 743
- Reusing Effect 745
- 746 Part IX Effects 746
- 748 Part IX Effects 748
- Auto Select controls 749
- Changing Clip Speed 751
- Performing a Fit to Fill Edit 752
- DBefore edit 753
- 754 Part IX Effects 754
- Speed Settings 755
- 756 Part IX Effects 756
- Making Speed Changes 757
- Working With Still Images 759
- 760 Part IX Effects 760
- 762 Part IX Effects 762
- Video Is Not 72 Dots per Inch 763
- 764 Part IX Effects 764
- 766 Part IX Effects 766
- Using Alpha Channels 767
- 768 Part IX Effects 768
- Enter a new duration in 769
- 770 Part IX Effects 770
- 772 Part IX Effects 772
- Compositing and Layering 775
- Methods of Compositing 776
- Opacity is used to blend 777
- 778 Part IX Effects 778
- Working With Composite Modes 780
- 782 Part IX Effects 782
- Subtract 784
- Difference 784
- Multiply 785
- 786 Part IX Effects 786
- Hard Light 788
- Soft Light 789
- 790 Part IX Effects 790
- Travel Matte - Alpha 791
- Travel Matte - Luma 792
- 794 Part IX Effects 794
- 796 Part IX Effects 796
- 798 Part IX Effects 798
- 800 Part IX Effects 800
- Dark areas are 801
- White areas are solid 801
- 802 Part IX Effects 802
- 804 Part IX Effects 804
- Keying, Mattes, and Masks 805
- 806 Part IX Effects 806
- 808 Part IX Effects 808
- Use Proper Lighting 809
- 810 Part IX Effects 810
- 812 Part IX Effects 812
- 814 Part IX Effects 814
- 816 Part IX Effects 816
- 818 Part IX Effects 818
- 820 Part IX Effects 820
- The background image now 821
- The background image is 821
- 822 Part IX Effects 822
- 824 Part IX Effects 824
- 826 Part IX Effects 826
- Color Correcting Clips 827
- 828 Part IX Effects 828
- Luma (Luminance) 830
- Chrominance (Chroma) 831
- Illegal Broadcast Levels 832
- The Color Correction Process 833
- 834 Part IX Effects 834
- Looking at the Picture 835
- 836 Part IX Effects 836
- The Color Corrector Filter 837
- 838 Part IX Effects 838
- Level sliders 839
- Auto Black Level button 839
- Saturation control 839
- Auto White Level button 839
- Auto Contrast button 839
- 840 Part IX Effects 840
- 842 Part IX Effects 842
- The balance control 843
- After color correction 843
- Before color correction 843
- 844 Part IX Effects 844
- Hue Matching Controls 845
- 846 Part IX Effects 846
- Click a highlight 847
- Click the Whites Select 847
- Auto-balance Color 847
- 848 Part IX Effects 848
- What Is a Generator Clip? 849
- 850 Part IX Effects 850
- Some generators 853
- 854 Part IX Effects 854
- Creating Titles 855
- Installing and Choosing Fonts 856
- 860 Part IX Effects 860
- 862 Part IX Effects 862
- Chapter 59 Using RT Extreme 863
- Chapter 60 Rendering 863
- Using RT Extreme 865
- About Safe Real-Time Playback 867
- Orange video render bars 868
- Available Real-Time Effects 870
- About Render Status Bars 872
- Real-Time Effects 873
- Rendering 877
- Reasons for Rendering 878
- Chapter 60 Rendering 879 879
- Video Render Status Bars 880
- Audio Render Status Bars 881
- About Item-Level Render Bars 882
- The Rendering Process 883
- Chapter 60 Rendering 885 885
- Chapter 60 Rendering 887 887
- Rendering Part of a Sequence 888
- Using the Mixdown Command 889
- This message appears in 890
- Chapter 60 Rendering 891 891
- Preserving Render Files 893
- Reducing Render Time 895
- Part XI: Project Management 897
- Media Management 899
- Reasons to Manage your Media 900
- Backing Up 903
- Using the Autosave Feature 904
- ProjectName_MM-DD-YY_HHMM 905
- Restoring Autosaved Projects 906
- Archiving Completed Projects 907
- Click here to update 909
- Elements of a 911
- Final Cut Express HD Project 911
- Sequences 914
- Clip Properties 916
- Master and Affiliate Clips 921
- Identifying Master Clips 922
- Independent Clips 926
- Relationships 928
- Finding a Clip’s Master Clip 929
- Master Clip Properties 930
- Affiliate Clip Properties 931
- Media File Properties 931
- Reconnecting Clips 933
- Can Be Broken 934
- Select the files you 939
- You can select which 943
- Choosing Settings 945
- General Tab 946
- Editing Tab 950
- Timeline Options Tab 951
- Changing System Settings 952
- Scratch Disks Tab 953
- Search Folders Tab 953
- Missing Search Folders 954
- Memory & Cache Tab 955
- Playback Control Tab 956
- External Editors Tab 957
- The path is shown 958
- Part XII: Output 959
- Preparing to Output to Tape 961
- 962 Part XII Output 962
- Selecting Preferences 963
- Cueing the Videotape 963
- Printing To Video and Output 965
- From the Timeline 965
- Printing to Video 966
- Recording From the Timeline 968
- Move the playhead where you 969
- Outputting to VHS Tape 970
- Exporting Sequences for DVD 971
- Video for Standard DVDs 972
- About the MPEG Format 973
- Audio for iDVD Projects 974
- More About Chapter Markers 975
- 976 Part XII Output 976
- Learning About QuickTime 979
- QuickTime for Media Authoring 980
- Codecs Supported in QuickTime 981
- 982 Part XII Output 982
- Export, and Capture 983
- Movie File Formats 984
- 986 Part XII Output 986
- Audio File Formats 988
- 990 Part XII Output 990
- Exporting QuickTime Movies 991
- 992 Part XII Output 992
- 994 Part XII Output 994
- 995 995
- 996 Part XII Output 996
- 998 Part XII Output 998
- 1000 Part XII Output 1000
- 1002 Part XII Output 1002
- 1004 Part XII Output 1004
- Exporting a DV Stream 1005
- 1006 Part XII Output 1006
- Exporting an AVI File 1007
- 1008 Part XII Output 1008
- Exporting Still Images 1009
- 1010 Part XII Output 1010
- Exporting Image Sequences 1012
- Exporting Audio for 1015
- Mixing in Other Applications 1015
- 1016 Part XII Output 1016
- 1018 Part XII Output 1018
- 1020 Part XII Output 1020
- All other tracks are 1021
- Make sure just the 1021
- 1022 Part XII Output 1022
- Part XIII: Appendixes 1023
- Video Formats 1025
- Storage Medium 1026
- Video Standards 1027
- Type of Video Signal 1028
- ; R-Y, B-Y; or U,V 1029
- 1030 Part XIII Appendixes 1030
- Pixel Aspect Ratio 1033
- Frame Rate 1034
- Scanning Method 1035
- About Progressive Scanning 1036
- About Field Dominance 1036
- Color Recording Method 1037
- Color Sampling Ratio 1038
- Bit Depth 1039
- Video Compression 1040
- Lossy Codecs 1041
- Uncompressed Video 1041
- Composite 1042
- Component YUV (Y´C 1043
- ) and Component RGB 1043
- 1044 Part XIII Appendixes 1044
- Frame Rate and Timecode 1047
- Persistence of Vision 1048
- Choosing a Frame Rate 1050
- 01:32:15:28 1052
- Timecode on Tape 1055
- Working With 1059
- Anamorphic 16:9 Media 1059
- 1060 Part XIII Appendixes 1060
- About Letterboxing 1061
- Why Shoot 16:9 Video? 1062
- Recording Anamorphic Video 1063
- Capturing Anamorphic Media 1064
- 1066 Part XIII Appendixes 1066
- 1068 Part XIII Appendixes 1068
- Solving Common Problems 1069
- Solutions to Common Problems 1070
- 1072 Part XIII Appendixes 1072
- General Performance Issues 1074
- Problems With Audio Quality 1074
- Contacting AppleCare Support 1075
- Glossary 1077
- 1078 Glossary 1078
- Glossary 1079 1079
- 1080 Glossary 1080
- Glossary 1081 1081
- 1082 Glossary 1082
- Glossary 1083 1083
- 1084 Glossary 1084
- Glossary 1085 1085
- 1086 Glossary 1086
- Glossary 1087 1087
- 1088 Glossary 1088
- Glossary 1089 1089
- 1090 Glossary 1090
- 1092 Glossary 1092
- Glossary 1093 1093
- 1094 Glossary 1094
- Glossary 1095 1095
- 1096 Glossary 1096
- Glossary 1097 1097
- 1098 Glossary 1098
- Glossary 1099 1099
- 1100 Glossary 1100
- Glossary 1101 1101
- 1102 Glossary 1102
- Glossary 1103 1103
- 1104 Glossary 1104
- Glossary 1105 1105
- 1107 1107
- 1108 Index 1108
- Index 1109 1109
- 1110 Index 1110
- 1112 Index 1112
- Index 1113 1113
- 1114 Index 1114
- Index 1115 1115
- Index 1117 1117
- 1118 Index 1118
- Index 1119 1119
- 1120 Index 1120
- Index 1121 1121
- 1122 Index 1122
- Index 1123 1123
- 1124 Index 1124
- Index 1125 1125
- 1126 Index 1126
- Index 1127 1127
- 1128 Index 1128
- 1130 Index 1130
- Index 1133 1133
- 1134 Index 1134
- Index 1135 1135
- 1136 Index 1136
- Index 1137 1137
- 1138 Index 1138
- Index 1139 1139
- 1140 Index 1140
- Index 1141 1141
- 1142 Index 1142
- Index 1143 1143
- 1144 Index 1144
- Index 1145 1145
- 1146 Index 1146
- Index 1147 1147
- 1148 Index 1148
- Index 1149 1149
- Index 1151 1151
- 1152 Index 1152
- Index 1153 1153
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