-
Final Cut Express HD
1
-
User Manual
1
-
© 2005 Jean-Paul Bonjour;
2
-
© 2005 Eric Escobar
2
-
Contents
3
-
Part VI Rough Editing
7
-
8 Contents
8
-
Contents 9
9
-
10 Contents
10
-
Contents 11
11
-
12 Contents
12
-
Contents 13
13
-
Part VIII Audio Mixing
14
-
Contents 15
15
-
Part IX Effects
16
-
Contents 17
17
-
18 Contents
18
-
Contents 19
19
-
20 Contents
20
-
Part XII Output
21
-
22 Contents
22
-
Part XIII Appendixes
23
-
24 Contents
24
-
Documentation and Resources
25
-
Apple Websites
26
-
Part I: An Introduction
27
-
About the Post-Production
29
-
Workflow
29
-
The Post-Production Workflow
30
-
Video Formats and Timecode
35
-
Video Format Basics
36
-
What Are Media Files?
39
-
What Are Clips?
40
-
What Are Sequences?
41
-
What Are Projects?
42
-
Organizing Your Projects
44
-
Creating and Saving Projects
44
-
Opening and Closing Projects
46
-
To switch between
47
-
Filenaming Considerations
49
-
Avoiding Special Characters
50
-
Using Filename Extensions
51
-
Using Multiple Hard Disks
51
-
Part II: Learning About the
53
-
Overview of the
55
-
Using Button Bars
57
-
Using Shortcut Menus
58
-
Moving Windows
62
-
Undoing and Redoing Changes
63
-
Browser Basics
65
-
Learning About the Browser
66
-
Working in the Browser
67
-
Using Columns in the Browser
69
-
Choosing Views in the Browser
70
-
Thumbnails appear as
72
-
The thumbnail you’re
73
-
Enter the new
73
-
Thumbnails of
74
-
Video clip with audio
74
-
Audio clip
74
-
Before using the
76
-
Arrange command
76
-
After using the
76
-
Setting the Poster Frame
77
-
Viewer Basics
79
-
Opening a Clip in the Viewer
80
-
Chapter 6 Viewer Basics 81
81
-
Learning About the Viewer
82
-
Tabs in the Viewer
83
-
Filters Tab
84
-
Motion Tab
84
-
Controls Tab
84
-
Playhead Controls
85
-
Jog Control
86
-
Shuttle Control
86
-
Zoom and View Pop-Up Menus
88
-
View Pop-Up Menu
89
-
Recent Clips Pop-Up Menu
90
-
Generator Pop-Up Menu
90
-
Canvas Basics
91
-
Learning About the Canvas
93
-
Edit Overlay
95
-
Chapter 7 Canvas Basics 97
97
-
101
101
-
Playing Clips and Sequences
102
-
To move around, drag the
104
-
{ Moves through
105
-
“ Moves through
105
-
Looping Playback
107
-
Current Timecode field
108
-
Timecode Duration field
108
-
Dragging Timecode Values
110
-
Timeline Basics
111
-
Learning About the Timeline
114
-
Editing Controls
115
-
Vertical Multitrack Controls
116
-
Horizontal Time Controls
117
-
Zoom control
118
-
Timeline Display Controls
119
-
Audio Controls
120
-
Other Miscellaneous Controls
120
-
Speed change
121
-
Stereo pair indicator
121
-
Click here to view the
124
-
Track Layout pop-up
124
-
Audio waveform
125
-
Without audio
125
-
Pop-Up Menu
126
-
Navigating in the Timeline
127
-
Before zooming in
131
-
The playhead remains
131
-
After zooming in
131
-
Position of playhead
132
-
One-minute increment
132
-
Scroll bar
133
-
Customizing the Interface
135
-
Default Two Up layout
136
-
Layout after making the
136
-
Browser and Timeline
136
-
Using Screen Layouts
137
-
Choosing a Screen Layout
138
-
Customizing Screen Layouts
138
-
Removing Shortcut Buttons
141
-
Part III: Setting Up Your
143
-
Editing System
143
-
Connecting Your Equipment
145
-
What Is an Easy Setup?
146
-
Choosing an Easy Setup
147
-
What Is FireWire?
150
-
What Is Device Control?
151
-
Device status
152
-
Determining Your Hard Disk
153
-
Storage Options
153
-
Know Your Shooting Ratio
154
-
Choosing a Hard Disk
156
-
Types of Hard Disk Drives
157
-
FireWire Disk Drives
158
-
SCSI Disk Drives
159
-
Using a RAID or Disk Array
160
-
External Video Monitoring
161
-
FireWire
162
-
Chapter 16 Working With HDV
169
-
171
171
-
Transport Controls
174
-
Jog and Shuttle Controls
174
-
Marking Controls
175
-
Capture Tab
175
-
Logging Fields
176
-
Marker Controls
177
-
Using Slate Buttons
177
-
Preparing to Capture
178
-
Logging Your Tapes
179
-
Choosing a Filenaming Scheme
180
-
The slate icon appears
182
-
Enter the Out point
183
-
Enter the In point
183
-
Using Capture Now
185
-
Setting Markers
188
-
Recapturing Clips
189
-
Number on a Single Tape
196
-
Importing Media Files
199
-
Into Your Project
199
-
About Importing Video Files
203
-
About Importing Audio Files
204
-
Working With HDV
207
-
About MPEG-2 Compression
208
-
More About Long-GOP Video
209
-
HDV Format Specifications
214
-
Part V: Organizing Footage
217
-
Organizing Footage
219
-
Creating New Bins
220
-
Opening Bins in the Browser
221
-
Drag the bin’s tab above
224
-
The bin now has its own
224
-
Moving Items Between Bins
225
-
You can also move
226
-
About Search Options
228
-
Search Commands
230
-
Specify your
231
-
Then click here
231
-
A list of unused clips is
233
-
Results window
233
-
Using Markers
235
-
Types of Markers
237
-
Working With Markers
238
-
Add Marker button
239
-
Navigating With Markers
243
-
Moving a Marker
245
-
Enter the new time here
246
-
Extending a Marker’s Duration
248
-
Creating Subclips
251
-
Removing Subclip Limits
253
-
Turning Markers Into Subclips
254
-
Creating Subclips Manually
256
-
Editing With Subclips
256
-
Markers for a clip
257
-
All of the material
258
-
Part VI: Rough Editing
259
-
261
261
-
Working With Projects
262
-
Returning to Saved Projects
264
-
Types of Clips
265
-
Sequences as Clips
266
-
Finding a Clip’s Media File
268
-
270 Part VI Rough Editing
270
-
Opening and Closing Sequences
271
-
Duplicating a Sequence
272
-
Nesting a Sequence
273
-
When Rendering Is Required
274
-
The Fundamentals
275
-
276 Part VI Rough Editing
276
-
Undoing and Redoing Actions
278
-
280 Part VI Rough Editing
280
-
282 Part VI Rough Editing
282
-
Setting Edit Points
283
-
284 Part VI Rough Editing
284
-
The Out point includes
285
-
286 Part VI Rough Editing
286
-
Mark Out button (O)
287
-
Mark In button (I)
287
-
288 Part VI Rough Editing
288
-
Reviewing Your Edit Points
289
-
290 Part VI Rough Editing
290
-
292 Part VI Rough Editing
292
-
In point
293
-
The new clip begins at
293
-
294 Part VI Rough Editing
294
-
In and Out points are
295
-
The new clip’s duration is
295
-
296 Part VI Rough Editing
296
-
Move the playhead
297
-
Auto Select is enabled for
297
-
298 Part VI Rough Editing
298
-
Select the desired clips
299
-
300 Part VI Rough Editing
300
-
Moving In and Out Points
301
-
302 Part VI Rough Editing
302
-
Clearing In and Out Points
303
-
Working With Tracks
305
-
Adding Tracks
306
-
Deleting Tracks
308
-
Setting Destination Tracks
310
-
312 Part VI Rough Editing
312
-
314 Part VI Rough Editing
314
-
Resizing Timeline Tracks
316
-
Track Height control
317
-
318 Part VI Rough Editing
318
-
Drag the center slider
319
-
To eliminate audio tracks
319
-
Drag-to-Timeline Editing
321
-
322 Part VI Rough Editing
322
-
324 Part VI Rough Editing
324
-
326 Part VI Rough Editing
326
-
Three-Point Editing
329
-
330 Part VI Rough Editing
330
-
Using Keyboard Shortcuts
331
-
332 Part VI Rough Editing
332
-
Performing an Insert Edit
333
-
334 Part VI Rough Editing
334
-
Insert with Transition
335
-
Overlay in the Canvas
335
-
Performing an Overwrite Edit
336
-
338 Part VI Rough Editing
338
-
Performing a Replace Edit
339
-
340 Part VI Rough Editing
340
-
Replace section
341
-
342 Part VI Rough Editing
342
-
344 Part VI Rough Editing
344
-
Before a replace edit
345
-
After a replace edit
345
-
New clip replaces the
345
-
Superimposing Clips
346
-
Three-Point Editing Examples
348
-
Move the playhead to the
349
-
The new clip starts
349
-
350 Part VI Rough Editing
350
-
In and Out points
351
-
The new clip fills
351
-
352 Part VI Rough Editing
352
-
You can use this method
352
-
Into Your Sequence
353
-
354 Part VI Rough Editing
354
-
355
355
-
356 Part VI Rough Editing
356
-
358 Part VI Rough Editing
358
-
Selecting Clips
360
-
Drag to select the
361
-
Selecting Multiple Clips
362
-
364 Part VI Rough Editing
364
-
Select All Tracks Forward
365
-
Select All Tracks
365
-
Backward
365
-
366 Part VI Rough Editing
366
-
368 Part VI Rough Editing
368
-
370 Part VI Rough Editing
370
-
After deleting; only
371
-
Auto Select control
371
-
372 Part VI Rough Editing
372
-
373
373
-
374 Part VI Rough Editing
374
-
Moving by Dragging
375
-
Moving Clips Numerically
376
-
The number
377
-
Clip items to be moved
377
-
Clip Collision message
377
-
Performing Shuffle Edits
378
-
380 Part VI Rough Editing
380
-
382 Part VI Rough Editing
382
-
384 Part VI Rough Editing
384
-
Before edit
385
-
After edit
385
-
Selected clip
385
-
386 Part VI Rough Editing
386
-
Finding and Closing Gaps
387
-
388 Part VI Rough Editing
388
-
390 Part VI Rough Editing
390
-
Cutting Clips
391
-
392 Part VI Rough Editing
392
-
The Razor Blade All
393
-
394 Part VI Rough Editing
394
-
396 Part VI Rough Editing
396
-
Linking and Editing
397
-
Video and Audio in Sync
397
-
398 Part VI Rough Editing
398
-
Audio moved away
399
-
Audio moved back
399
-
400 Part VI Rough Editing
400
-
Linked Audio Items
401
-
402 Part VI Rough Editing
402
-
404 Part VI Rough Editing
404
-
Moving a Clip Into Sync
406
-
408 Part VI Rough Editing
408
-
Before syncing
409
-
After syncing
409
-
410 Part VI Rough Editing
410
-
Between Linked Clip Items
411
-
412 Part VI Rough Editing
412
-
Split Edits
415
-
416 Part VI Rough Editing
416
-
Chapter 30 Split Edits 417
417
-
418 Part VI Rough Editing
418
-
Chapter 30 Split Edits 419
419
-
420 Part VI Rough Editing
420
-
Split Edit Examples
421
-
422 Part VI Rough Editing
422
-
Chapter 30 Split Edits 423
423
-
424 Part VI Rough Editing
424
-
Audio Editing Basics
425
-
426 Part VI Rough Editing
426
-
Waveforms for a stereo
427
-
428 Part VI Rough Editing
428
-
430 Part VI Rough Editing
430
-
Editing Audio in the Viewer
431
-
432 Part VI Rough Editing
432
-
Zoom slider
433
-
434 Part VI Rough Editing
434
-
436 Part VI Rough Editing
436
-
Audio selected
437
-
Linked Selection
437
-
Editing Audio in the Timeline
438
-
440 Part VI Rough Editing
440
-
442 Part VI Rough Editing
442
-
444 Part VI Rough Editing
444
-
A wide playhead bar in
445
-
446 Part VI Rough Editing
446
-
The long pause in your
447
-
Paste the pause section
447
-
448 Part VI Rough Editing
448
-
450 Part VI Rough Editing
450
-
Sliding Clips in the Timeline
453
-
The timecode entry field
456
-
You slip items using
457
-
Drag point
458
-
Entire length of media
458
-
Performing Ripple Edits
462
-
These clips move left
465
-
This clip shortens
465
-
Roll edits are done
471
-
Selected edit point
472
-
Edit being rolled
473
-
After the roll edit, the
473
-
Tips for Using the Roll Tool
475
-
Learning About Trimming Clips
477
-
Click here to turn linked
479
-
Click here to turn
479
-
Selecting Single Edit Points
482
-
One edit per track is
483
-
Trimming Clips in the Viewer
486
-
Moving Clips Using Timecode
488
-
The clips move forward
489
-
Media Limit message
491
-
Trimming Clips
493
-
Using the Trim Edit Window
493
-
Outgoing clip
494
-
Incoming clip
494
-
Green bar
494
-
Go to Previous Edit
497
-
Go to Next Edit
497
-
Play Around Edit Loop
497
-
Play In to Out
497
-
Dynamic Trimming
501
-
Adding Transitions
507
-
Common Types of Transitions
508
-
A transition between
509
-
The center line
509
-
Having Handles at Edit Points
510
-
The added transition
512
-
Drag the transition to
516
-
Deleting Transitions
517
-
Enter the desired
518
-
Before a roll edit
519
-
After a roll edit with the
519
-
Replacing Transitions
520
-
Sequence Settings window
521
-
Refining Transitions
525
-
Using the Transition Editor
525
-
Alignment buttons
527
-
Recent Clips pop-up
527
-
Drag hand
527
-
Reverse Transition button
529
-
Reset button
530
-
Canvas to help you determine
534
-
Rendering Transitions
537
-
Sequence to Sequence Editing
539
-
4 Do one of the following:
541
-
Nesting Sequences
544
-
After the Nested Sequence
546
-
Without Nesting It
547
-
A highlighted area shows
550
-
Matching Frames
551
-
Working With Timecode
557
-
Clip Time Versus Source Time
558
-
Part VIII: Audio Mixing
559
-
Overview of Audio Mixing
561
-
562 Part VIII Audio Mixing
562
-
Cleaning Up Audio
564
-
Adding Audio Filters
564
-
Making the Final Mix
565
-
Adjusting Pan
566
-
Setting Up Audio Equipment
567
-
Choosing an Audio Interface
568
-
Flat Not flat
569
-
Amplifiers and Signal Levels
570
-
Using Headphones
571
-
About Balanced Audio Signals
572
-
Inverted signal
573
-
(inverted again)
573
-
Combined signals
573
-
(noise eliminated)
573
-
Audio Connectors
574
-
576 Part VIII Audio Mixing
576
-
578 Part VIII Audio Mixing
578
-
Audio Fundamentals
579
-
Fundamentals of a Sound Wave
580
-
Frequency Spectrum of Sounds
581
-
Measuring Sound Intensity
582
-
Decibel Units
583
-
Signal-to-Noise Ratio
584
-
Headroom and Distortion
584
-
Dynamic Range
585
-
Stereo Audio
586
-
Identifying Stereo Recordings
587
-
Digital Audio
588
-
Sample Rate
589
-
2 bit1 bit
591
-
16 bit4 bit
591
-
Audio Levels, Meters
593
-
594 Part VIII Audio Mixing
594
-
Analog Versus Digital Meters
595
-
What Does 0 dB Mean?
596
-
Avoiding Audio Clipping
597
-
Setting Proper Audio Levels
598
-
Stereo Versus Dual Mono Audio
600
-
Mixing Audio
601
-
602 Part VIII Audio Mixing
602
-
604 Part VIII Audio Mixing
604
-
606 Part VIII Audio Mixing
606
-
Panning Audio in the Timeline
607
-
608 Part VIII Audio Mixing
608
-
The pointer turns into an
609
-
Adjust Line Segment pointer
609
-
As you drag, a box displays
609
-
Tools for Adjusting Keyframes
610
-
Pen tool
611
-
612 Part VIII Audio Mixing
612
-
Adjust Line Segment
613
-
Keyframe being moved
613
-
614 Part VIII Audio Mixing
614
-
616 Part VIII Audio Mixing
616
-
Lowered levels
617
-
Adjust the slope of
617
-
618 Part VIII Audio Mixing
618
-
The problem samples
619
-
The overlay looks
619
-
620 Part VIII Audio Mixing
620
-
Using the Voice Over Tool
623
-
624 Part VIII Audio Mixing
624
-
Microphone
625
-
USB audio
625
-
PowerBook
625
-
Headphones
625
-
626 Part VIII Audio Mixing
626
-
628 Part VIII Audio Mixing
628
-
630 Part VIII Audio Mixing
630
-
632 Part VIII Audio Mixing
632
-
634 Part VIII Audio Mixing
634
-
The newly recorded
635
-
Recording a Voiceover
636
-
Recording Multiple Takes
637
-
638 Part VIII Audio Mixing
638
-
Using Audio Filters
639
-
Overview of Audio Filters
640
-
Compression
642
-
Expansion
643
-
Noise Reduction Filters
644
-
Echo and Reverb Filters
645
-
646 Part VIII Audio Mixing
646
-
Working With Audio Filters
647
-
648 Part VIII Audio Mixing
648
-
Select several filters
649
-
...then drag them to the
649
-
Timeline
649
-
650 Part VIII Audio Mixing
650
-
652 Part VIII Audio Mixing
652
-
Tips for Better Audio
653
-
Tips for Cutting Dialogue
654
-
Shows how you can
655
-
656 Part VIII Audio Mixing
656
-
Tips for Cutting Music
658
-
Instead of placing audio
659
-
... do this
659
-
Organizing Your Tracks
660
-
Part IX: Effects
661
-
Video Filters
663
-
Applying a Filter to a Clip
664
-
Drag the filter from
665
-
... to a clip in the
665
-
666 Part IX Effects
666
-
Select multiple filters
667
-
Then, drag the filters to
667
-
668 Part IX Effects
668
-
Using Filter Controls
669
-
670 Part IX Effects
670
-
Angle control
671
-
672 Part IX Effects
672
-
Filter bar for a video track
673
-
Clip Keyframes button
673
-
674 Part IX Effects
674
-
Removing Filters From Clips
675
-
Blur Filters
676
-
Border Filters
676
-
Channel Filters
677
-
Color Correction Filters
677
-
Distort Filters
678
-
Image Control Filters
679
-
Key Filters
680
-
Matte Filters
682
-
Perspective Filters
684
-
Sharpen Filters
684
-
Stylize Filters
685
-
Changing Motion Parameters
689
-
690 Part IX Effects
690
-
Some parameters must
691
-
Motion Blur parameters
691
-
Drop Shadow parameters
691
-
Controls in the Motion Tab
692
-
694 Part IX Effects
694
-
Canvas center point
695
-
-360 pixels +360 pixels
695
-
-240 pixels
695
-
+240 pixels
695
-
696 Part IX Effects
696
-
Initial background layer
697
-
Sequence In and
697
-
Out points
697
-
698 Part IX Effects
698
-
700 Part IX Effects
700
-
702 Part IX Effects
702
-
704 Part IX Effects
704
-
706 Part IX Effects
706
-
Choosing a Wireframe Mode
707
-
708 Part IX Effects
708
-
Zooming In to the Canvas
709
-
710 Part IX Effects
710
-
712 Part IX Effects
712
-
714 Part IX Effects
714
-
716 Part IX Effects
716
-
Use the Distort tool to
717
-
Adjusting Parameters
719
-
How Keyframing Works
720
-
Keyframe 2
721
-
Keyframe 1
721
-
Keyframe 3
721
-
722 Part IX Effects
722
-
Setting Keyframes
723
-
724 Part IX Effects
724
-
Moving Between Keyframes
725
-
726 Part IX Effects
726
-
728 Part IX Effects
728
-
Layer the clips, with one
729
-
730 Part IX Effects
730
-
732 Part IX Effects
732
-
Smoothing Keyframes
734
-
What Are Motion Paths?
735
-
Creating Motion Paths
736
-
With the Selection tool
737
-
738 Part IX Effects
738
-
740 Part IX Effects
740
-
742 Part IX Effects
742
-
The pointer changes
743
-
Reusing Effect
745
-
746 Part IX Effects
746
-
748 Part IX Effects
748
-
Auto Select controls
749
-
Changing Clip Speed
751
-
Performing a Fit to Fill Edit
752
-
DBefore edit
753
-
754 Part IX Effects
754
-
Speed Settings
755
-
756 Part IX Effects
756
-
Making Speed Changes
757
-
Working With Still Images
759
-
760 Part IX Effects
760
-
762 Part IX Effects
762
-
Video Is Not 72 Dots per Inch
763
-
764 Part IX Effects
764
-
766 Part IX Effects
766
-
Using Alpha Channels
767
-
768 Part IX Effects
768
-
Enter a new duration in
769
-
770 Part IX Effects
770
-
772 Part IX Effects
772
-
Compositing and Layering
775
-
Methods of Compositing
776
-
Opacity is used to blend
777
-
778 Part IX Effects
778
-
Working With Composite Modes
780
-
782 Part IX Effects
782
-
Subtract
784
-
Difference
784
-
Multiply
785
-
786 Part IX Effects
786
-
Hard Light
788
-
Soft Light
789
-
790 Part IX Effects
790
-
Travel Matte - Alpha
791
-
Travel Matte - Luma
792
-
794 Part IX Effects
794
-
796 Part IX Effects
796
-
798 Part IX Effects
798
-
800 Part IX Effects
800
-
Dark areas are
801
-
White areas are solid
801
-
802 Part IX Effects
802
-
804 Part IX Effects
804
-
Keying, Mattes, and Masks
805
-
806 Part IX Effects
806
-
808 Part IX Effects
808
-
Use Proper Lighting
809
-
810 Part IX Effects
810
-
812 Part IX Effects
812
-
814 Part IX Effects
814
-
816 Part IX Effects
816
-
818 Part IX Effects
818
-
820 Part IX Effects
820
-
The background image now
821
-
The background image is
821
-
822 Part IX Effects
822
-
824 Part IX Effects
824
-
826 Part IX Effects
826
-
Color Correcting Clips
827
-
828 Part IX Effects
828
-
Luma (Luminance)
830
-
Chrominance (Chroma)
831
-
Illegal Broadcast Levels
832
-
The Color Correction Process
833
-
834 Part IX Effects
834
-
Looking at the Picture
835
-
836 Part IX Effects
836
-
The Color Corrector Filter
837
-
838 Part IX Effects
838
-
Level sliders
839
-
Auto Black Level button
839
-
Saturation control
839
-
Auto White Level button
839
-
Auto Contrast button
839
-
840 Part IX Effects
840
-
842 Part IX Effects
842
-
The balance control
843
-
After color correction
843
-
Before color correction
843
-
844 Part IX Effects
844
-
Hue Matching Controls
845
-
846 Part IX Effects
846
-
Click a highlight
847
-
Click the Whites Select
847
-
Auto-balance Color
847
-
848 Part IX Effects
848
-
What Is a Generator Clip?
849
-
850 Part IX Effects
850
-
Some generators
853
-
854 Part IX Effects
854
-
Creating Titles
855
-
Installing and Choosing Fonts
856
-
860 Part IX Effects
860
-
862 Part IX Effects
862
-
Chapter 59 Using RT Extreme
863
-
Chapter 60 Rendering
863
-
Using RT Extreme
865
-
About Safe Real-Time Playback
867
-
Orange video render bars
868
-
Available Real-Time Effects
870
-
About Render Status Bars
872
-
Real-Time Effects
873
-
Rendering
877
-
Reasons for Rendering
878
-
Chapter 60 Rendering 879
879
-
Video Render Status Bars
880
-
Audio Render Status Bars
881
-
About Item-Level Render Bars
882
-
The Rendering Process
883
-
Chapter 60 Rendering 885
885
-
Chapter 60 Rendering 887
887
-
Rendering Part of a Sequence
888
-
Using the Mixdown Command
889
-
This message appears in
890
-
Chapter 60 Rendering 891
891
-
Preserving Render Files
893
-
Reducing Render Time
895
-
Part XI: Project Management
897
-
Media Management
899
-
Reasons to Manage your Media
900
-
Backing Up
903
-
Using the Autosave Feature
904
-
ProjectName_MM-DD-YY_HHMM
905
-
Restoring Autosaved Projects
906
-
Archiving Completed Projects
907
-
Click here to update
909
-
Elements of a
911
-
Final Cut Express HD Project
911
-
Sequences
914
-
Clip Properties
916
-
Master and Affiliate Clips
921
-
Identifying Master Clips
922
-
Independent Clips
926
-
Relationships
928
-
Finding a Clip’s Master Clip
929
-
Master Clip Properties
930
-
Affiliate Clip Properties
931
-
Media File Properties
931
-
Reconnecting Clips
933
-
Can Be Broken
934
-
Select the files you
939
-
You can select which
943
-
Choosing Settings
945
-
General Tab
946
-
Editing Tab
950
-
Timeline Options Tab
951
-
Changing System Settings
952
-
Scratch Disks Tab
953
-
Search Folders Tab
953
-
Missing Search Folders
954
-
Memory & Cache Tab
955
-
Playback Control Tab
956
-
External Editors Tab
957
-
The path is shown
958
-
Part XII: Output
959
-
Preparing to Output to Tape
961
-
962 Part XII Output
962
-
Selecting Preferences
963
-
Cueing the Videotape
963
-
Printing To Video and Output
965
-
From the Timeline
965
-
Printing to Video
966
-
Recording From the Timeline
968
-
Move the playhead where you
969
-
Outputting to VHS Tape
970
-
Exporting Sequences for DVD
971
-
Video for Standard DVDs
972
-
About the MPEG Format
973
-
Audio for iDVD Projects
974
-
More About Chapter Markers
975
-
976 Part XII Output
976
-
Learning About QuickTime
979
-
QuickTime for Media Authoring
980
-
Codecs Supported in QuickTime
981
-
982 Part XII Output
982
-
Export, and Capture
983
-
Movie File Formats
984
-
986 Part XII Output
986
-
Audio File Formats
988
-
990 Part XII Output
990
-
Exporting QuickTime Movies
991
-
992 Part XII Output
992
-
994 Part XII Output
994
-
995
995
-
996 Part XII Output
996
-
998 Part XII Output
998
-
1000 Part XII Output
1000
-
1002 Part XII Output
1002
-
1004 Part XII Output
1004
-
Exporting a DV Stream
1005
-
1006 Part XII Output
1006
-
Exporting an AVI File
1007
-
1008 Part XII Output
1008
-
Exporting Still Images
1009
-
1010 Part XII Output
1010
-
Exporting Image Sequences
1012
-
Exporting Audio for
1015
-
Mixing in Other Applications
1015
-
1016 Part XII Output
1016
-
1018 Part XII Output
1018
-
1020 Part XII Output
1020
-
All other tracks are
1021
-
Make sure just the
1021
-
1022 Part XII Output
1022
-
Part XIII: Appendixes
1023
-
Video Formats
1025
-
Storage Medium
1026
-
Video Standards
1027
-
Type of Video Signal
1028
-
; R-Y, B-Y; or U,V
1029
-
1030 Part XIII Appendixes
1030
-
Pixel Aspect Ratio
1033
-
Frame Rate
1034
-
Scanning Method
1035
-
About Progressive Scanning
1036
-
About Field Dominance
1036
-
Color Recording Method
1037
-
Color Sampling Ratio
1038
-
Bit Depth
1039
-
Video Compression
1040
-
Lossy Codecs
1041
-
Uncompressed Video
1041
-
Composite
1042
-
Component YUV (Y´C
1043
-
) and Component RGB
1043
-
1044 Part XIII Appendixes
1044
-
Frame Rate and Timecode
1047
-
Persistence of Vision
1048
-
Choosing a Frame Rate
1050
-
01:32:15:28
1052
-
Timecode on Tape
1055
-
Working With
1059
-
Anamorphic 16:9 Media
1059
-
1060 Part XIII Appendixes
1060
-
About Letterboxing
1061
-
Why Shoot 16:9 Video?
1062
-
Recording Anamorphic Video
1063
-
Capturing Anamorphic Media
1064
-
1066 Part XIII Appendixes
1066
-
1068 Part XIII Appendixes
1068
-
Solving Common Problems
1069
-
Solutions to Common Problems
1070
-
1072 Part XIII Appendixes
1072
-
General Performance Issues
1074
-
Problems With Audio Quality
1074
-
Contacting AppleCare Support
1075
-
Glossary
1077
-
1078 Glossary
1078
-
Glossary 1079
1079
-
1080 Glossary
1080
-
Glossary 1081
1081
-
1082 Glossary
1082
-
Glossary 1083
1083
-
1084 Glossary
1084
-
Glossary 1085
1085
-
1086 Glossary
1086
-
Glossary 1087
1087
-
1088 Glossary
1088
-
Glossary 1089
1089
-
1090 Glossary
1090
-
1092 Glossary
1092
-
Glossary 1093
1093
-
1094 Glossary
1094
-
Glossary 1095
1095
-
1096 Glossary
1096
-
Glossary 1097
1097
-
1098 Glossary
1098
-
Glossary 1099
1099
-
1100 Glossary
1100
-
Glossary 1101
1101
-
1102 Glossary
1102
-
Glossary 1103
1103
-
1104 Glossary
1104
-
Glossary 1105
1105
-
1107
1107
-
1108 Index
1108
-
Index 1109
1109
-
1110 Index
1110
-
1112 Index
1112
-
Index 1113
1113
-
1114 Index
1114
-
Index 1115
1115
-
Index 1117
1117
-
1118 Index
1118
-
Index 1119
1119
-
1120 Index
1120
-
Index 1121
1121
-
1122 Index
1122
-
Index 1123
1123
-
1124 Index
1124
-
Index 1125
1125
-
1126 Index
1126
-
Index 1127
1127
-
1128 Index
1128
-
1130 Index
1130
-
Index 1133
1133
-
1134 Index
1134
-
Index 1135
1135
-
1136 Index
1136
-
Index 1137
1137
-
1138 Index
1138
-
Index 1139
1139
-
1140 Index
1140
-
Index 1141
1141
-
1142 Index
1142
-
Index 1143
1143
-
1144 Index
1144
-
Index 1145
1145
-
1146 Index
1146
-
Index 1147
1147
-
1148 Index
1148
-
Index 1149
1149
-
Index 1151
1151
-
1152 Index
1152
-
Index 1153
1153
Commenti su questo manuale