Apple Color 1.5 Manuale Utente Pagina 7
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- Indice
- SEGNALIBRI
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Playback and Navigation411
Grade Shortcuts412
Timeline-Specific Shortcuts413
Editing Shortcuts413
Keyframing Shortcuts414
Shortcuts in the Shots Browser414
Shortcuts in the Geometry Room414
Still Store Shortcuts414
Render Queue Shortcuts415
Using Multi-Touch Controls in Color417Appendix C
Multi-Touch Control of the Timeline417
Multi-Touch Control in the Shots Browser417
Multi-Touch Control of the Scopes418
Multi-Touch Control in the Geometry Room418
Multi-Touch Control in the Image Preview of the Scopes Window419
Setting Up a Control Surface421Appendix D
JLCooper Control Surfaces421
Tangent Devices CP100 Control Surface426
Tangent Devices CP200 Series Control Surface429
Customizing Control Surface Sensitivity434
7Contents
- User Manual 1
- Contents 3
- 4 Contents 4
- 5Contents 5
- 6 Contents 6
- 7Contents 7
- Welcome to Color 9
- About the Color Documentation 10
- Additional Resources 10
- 11Preface Welcome to Color 11
- Color Correction Basics 13
- Videotapes 20
- Tape Suite 20
- Final Master TapeOffline Edit 20
- Image Encoding Standards 23
- Color Model Explained 24
- Chroma Subsampling Explained 24
- Bit Depth Explained 27
- Contrast Explained 28
- WhiteBlack 29
- Luma Explained 30
- What Is Setup? 30
- Gamma Explained 31
- Chroma Explained 31
- Color Correction Workflows 35
- Limitations in Color 37
- A Tape-Based Workflow 40
- Final Cut Pro 64
- A Tapeless DI Workflow 65
- Using the Color Interface 77
- Using Onscreen Controls 78
- Using the Mouse 79
- Using Timecode Fields 80
- The File Browser 82
- The Shots Browser 84
- Corrections Bins 85
- Corrections Versus Grades 85
- Do one of the following: 89
- Creating and Opening Projects 92
- Saving Projects 92
- What Is a Color Project? 93
- Saving and Opening Archives 95
- Importing EDLs 101
- EDL Import Settings 102
- Relinking Media 104
- Compatible Media Formats 106
- Exporting EDLs 114
- Reconforming Projects 115
- Importing Color Corrections 117
- Exporting JPEG Images 118
- Configuring the Setup Room 119
- File Browser Controls 120
- Using the Shots Browser 122
- Customizing the Shots Browser 125
- The Grades Bin 128
- The Project Settings Tab 129
- Resolution and Codec Settings 130
- Broadcast Safe Settings 133
- Ways of Using Broadcast Safe 134
- The Messages Tab 135
- The User Preferences Tab 135
- Media and Project Directories 136
- Control Surface Settings 137
- User Interface Settings 138
- Using Proxies 141
- Auto Save Settings 147
- Opening Archives 148
- Monitoring Your Project 149
- Bit Depth and Monitoring 151
- Choose Your Monitor Carefully 152
- Using Display LUTs 153
- What Is a LUT? 154
- When Do You Need a LUT? 156
- When Don’t You Need a LUT? 157
- Generating LUTs 157
- Using LUTs 158
- Monitoring the Still Store 159
- Basic Timeline Elements 162
- Selecting the Current Shot 166
- Timeline Playback 166
- Color and JKL 167
- Switching the Playback Mode 168
- Loop Playback 168
- Maintain Framerate 169
- The Settings 1 Tab 174
- The Settings 2 Tab 175
- Select Tool 176
- Roll Tool 177
- Ripple Tool 178
- Slip Tool 178
- Split Tool 179
- Splice Tool 180
- Create an Edit Command 180
- Merge Edits Command 181
- Snapping 181
- What Scopes Are Available? 183
- Video Scope Options 185
- The Waveform Monitor 187
- The Parade Scope 189
- Before color correction 190
- After color correction 190
- The Overlay Scope 192
- The Luma Scope 193
- The Chroma Scope 194
- The Vectorscope 195
- The Histogram 198
- The 3D Scope 200
- Sampling Color for Analysis 203
- The Primary In Room 207
- Contrast Adjustment Explained 210
- Adjusts black point 212
- Adjusts midtones distribution 212
- Adjusts white point 212
- Shadow Midtone Highlight 212
- What Exactly Is Image Detail? 221
- Color Casts Explained 222
- Using Color Balance Controls 224
- Rebalancing a Color Cast 225
- Shadow control influence 228
- Midtone influence 228
- Highlight control influence 228
- The Curves Controls 234
- Source Value 235
- Adjustment Value 235
- Using Curves to Adjust Color 241
- What Is Color Contrast? 242
- The Basic Tab 245
- Saturation Controls 246
- Master Contrast Controls 248
- The Advanced Tab 249
- Printer Points Controls 250
- Using the Auto Balance Button 251
- The RED Tab 252
- The Secondaries Room 257
- Before After 258
- Matte Corrected image 262
- The HSL Controls 264
- Tolerance 265
- The Color Swatches 267
- Key Blur 267
- Controls in the Previews Tab 268
- Matte Preview 269
- Mode buttons 269
- Vignette outline 269
- Matte only 270
- The Vignette Controls 271
- Animating Vignettes 274
- Before outside adjustment 278
- Sat curve adjustment 280
- Using the Secondary Curves 281
- The Sat Curve Tab 282
- Lum curve adjustment 283
- The Color FX Room 285
- How to Create Color FX 286
- How Node Trees Work 287
- Creating and Connecting Nodes 289
- Adjusting Node Parameters 291
- Bypassing Nodes 293
- Using Single Input Nodes 295
- Using Layering Nodes 295
- Math Layering Nodes Explained 297
- Node Reference Guide 302
- Effects Nodes 303
- Utility Nodes 310
- The Primary Out Room 313
- Ceiling Controls 315
- Disabling All Grades 335
- Choosing Grades in Icon View 337
- Grouping and Ungrouping Shots 339
- Working with Groups 342
- Keyframing 347
- 348 Chapter 14 Keyframing 348
- 349Chapter 14 Keyframing 349
- Keyframing Color FX 350
- Keyframing User Shapes 351
- 352 Chapter 14 Keyframing 352
- Keyframe Interpolation 353
- 354 Chapter 14 Keyframing 354
- The Geometry Room 355
- The Pan & Scan Tab 356
- The Shapes Tab 361
- Controls in the Shapes Tab 362
- About the Shapes List 364
- Drawing Shapes 364
- The Tracking Tab 370
- Controls in the Tracking Tab 372
- Using the Tracking Tab 374
- The Still Store 381
- 383Chapter 16 The Still Store 383
- Still Store View Settings 385
- 387Chapter 16 The Still Store 387
- The Render Queue 389
- The Render Queue Interface 395
- Gather Rendered Media 403
- Calibrating Your Monitor 405
- When monitor 407
- Rendering and Color Bars 408
- Keyboard Shortcuts in Color 409
- Switching Rooms and Windows 410
- Scopes Window Shortcuts 411
- Playback and Navigation 411
- Grade Shortcuts 412
- Timeline-Specific Shortcuts 413
- Editing Shortcuts 413
- Keyframing Shortcuts 414
- Still Store Shortcuts 414
- Render Queue Shortcuts 415
- Using Multi-Touch Controls in 417
- Setting Up a Control Surface 421
- Controls for the MCS-3000 424
- Controls for the MCS-Spectrum 426
- Controls in the CP100 427
- F1 F2 F3 431
- F4 F5 F6 431
- F7 F8 F9 431
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