Apple Color 1.5 Manuale Utente Pagina 431
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- Indice
- SEGNALIBRI
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After you click Yes, Color connects with the control surfaces on the network. If this is
successful, then each panel’s display should now go blank.
The CP200 series control surfaces are now ready for use with Color.
Controls in the CP200-BK (Trackerball/Knob Panel)
The CP200-BK has the following controls:
F1 F2 F3
F4 F5 F6
F7 F8 F9
In the Primary In and Out rooms:
• Left (Dot) button above wheels: Reset contrast slider for that zone
• Right (Circle) button above wheels: Reset color control for that zone
• Left joyball: Shadow color control adjustment
• Left wheel: Shadow contrast slider adjustment (black point)
• Center joyball: Midtone color control adjustment
• Center wheel: Midtone contrast slider adjustment (gamma)
• Right joyball: HIghlight color control adjustment
• Right wheel: HIghlight contrast slider adjustment (white point)
• F1: Toggle keyframe Interpolation
• F2: Add keyframe
• F3: Delete keyframe
• F4: Alternate panel encoders
In the Secondaries room:
• F1: Toggle keyframe Interpolation
• F2: Add keyframe
• F3: Delete keyframe
• F4: Alternate panel encoders
431Appendix D Setting Up a Control Surface
- User Manual 1
- Contents 3
- 4 Contents 4
- 5Contents 5
- 6 Contents 6
- 7Contents 7
- Welcome to Color 9
- About the Color Documentation 10
- Additional Resources 10
- 11Preface Welcome to Color 11
- Color Correction Basics 13
- Videotapes 20
- Tape Suite 20
- Final Master TapeOffline Edit 20
- Image Encoding Standards 23
- Color Model Explained 24
- Chroma Subsampling Explained 24
- Bit Depth Explained 27
- Contrast Explained 28
- WhiteBlack 29
- Luma Explained 30
- What Is Setup? 30
- Gamma Explained 31
- Chroma Explained 31
- Color Correction Workflows 35
- Limitations in Color 37
- A Tape-Based Workflow 40
- Final Cut Pro 64
- A Tapeless DI Workflow 65
- Using the Color Interface 77
- Using Onscreen Controls 78
- Using the Mouse 79
- Using Timecode Fields 80
- The File Browser 82
- The Shots Browser 84
- Corrections Bins 85
- Corrections Versus Grades 85
- Do one of the following: 89
- Creating and Opening Projects 92
- Saving Projects 92
- What Is a Color Project? 93
- Saving and Opening Archives 95
- Importing EDLs 101
- EDL Import Settings 102
- Relinking Media 104
- Compatible Media Formats 106
- Exporting EDLs 114
- Reconforming Projects 115
- Importing Color Corrections 117
- Exporting JPEG Images 118
- Configuring the Setup Room 119
- File Browser Controls 120
- Using the Shots Browser 122
- Customizing the Shots Browser 125
- The Grades Bin 128
- The Project Settings Tab 129
- Resolution and Codec Settings 130
- Broadcast Safe Settings 133
- Ways of Using Broadcast Safe 134
- The Messages Tab 135
- The User Preferences Tab 135
- Media and Project Directories 136
- Control Surface Settings 137
- User Interface Settings 138
- Using Proxies 141
- Auto Save Settings 147
- Opening Archives 148
- Monitoring Your Project 149
- Bit Depth and Monitoring 151
- Choose Your Monitor Carefully 152
- Using Display LUTs 153
- What Is a LUT? 154
- When Do You Need a LUT? 156
- When Don’t You Need a LUT? 157
- Generating LUTs 157
- Using LUTs 158
- Monitoring the Still Store 159
- Basic Timeline Elements 162
- Selecting the Current Shot 166
- Timeline Playback 166
- Color and JKL 167
- Switching the Playback Mode 168
- Loop Playback 168
- Maintain Framerate 169
- The Settings 1 Tab 174
- The Settings 2 Tab 175
- Select Tool 176
- Roll Tool 177
- Ripple Tool 178
- Slip Tool 178
- Split Tool 179
- Splice Tool 180
- Create an Edit Command 180
- Merge Edits Command 181
- Snapping 181
- What Scopes Are Available? 183
- Video Scope Options 185
- The Waveform Monitor 187
- The Parade Scope 189
- Before color correction 190
- After color correction 190
- The Overlay Scope 192
- The Luma Scope 193
- The Chroma Scope 194
- The Vectorscope 195
- The Histogram 198
- The 3D Scope 200
- Sampling Color for Analysis 203
- The Primary In Room 207
- Contrast Adjustment Explained 210
- Adjusts black point 212
- Adjusts midtones distribution 212
- Adjusts white point 212
- Shadow Midtone Highlight 212
- What Exactly Is Image Detail? 221
- Color Casts Explained 222
- Using Color Balance Controls 224
- Rebalancing a Color Cast 225
- Shadow control influence 228
- Midtone influence 228
- Highlight control influence 228
- The Curves Controls 234
- Source Value 235
- Adjustment Value 235
- Using Curves to Adjust Color 241
- What Is Color Contrast? 242
- The Basic Tab 245
- Saturation Controls 246
- Master Contrast Controls 248
- The Advanced Tab 249
- Printer Points Controls 250
- Using the Auto Balance Button 251
- The RED Tab 252
- The Secondaries Room 257
- Before After 258
- Matte Corrected image 262
- The HSL Controls 264
- Tolerance 265
- The Color Swatches 267
- Key Blur 267
- Controls in the Previews Tab 268
- Matte Preview 269
- Mode buttons 269
- Vignette outline 269
- Matte only 270
- The Vignette Controls 271
- Animating Vignettes 274
- Before outside adjustment 278
- Sat curve adjustment 280
- Using the Secondary Curves 281
- The Sat Curve Tab 282
- Lum curve adjustment 283
- The Color FX Room 285
- How to Create Color FX 286
- How Node Trees Work 287
- Creating and Connecting Nodes 289
- Adjusting Node Parameters 291
- Bypassing Nodes 293
- Using Single Input Nodes 295
- Using Layering Nodes 295
- Math Layering Nodes Explained 297
- Node Reference Guide 302
- Effects Nodes 303
- Utility Nodes 310
- The Primary Out Room 313
- Ceiling Controls 315
- Disabling All Grades 335
- Choosing Grades in Icon View 337
- Grouping and Ungrouping Shots 339
- Working with Groups 342
- Keyframing 347
- 348 Chapter 14 Keyframing 348
- 349Chapter 14 Keyframing 349
- Keyframing Color FX 350
- Keyframing User Shapes 351
- 352 Chapter 14 Keyframing 352
- Keyframe Interpolation 353
- 354 Chapter 14 Keyframing 354
- The Geometry Room 355
- The Pan & Scan Tab 356
- The Shapes Tab 361
- Controls in the Shapes Tab 362
- About the Shapes List 364
- Drawing Shapes 364
- The Tracking Tab 370
- Controls in the Tracking Tab 372
- Using the Tracking Tab 374
- The Still Store 381
- 383Chapter 16 The Still Store 383
- Still Store View Settings 385
- 387Chapter 16 The Still Store 387
- The Render Queue 389
- The Render Queue Interface 395
- Gather Rendered Media 403
- Calibrating Your Monitor 405
- When monitor 407
- Rendering and Color Bars 408
- Keyboard Shortcuts in Color 409
- Switching Rooms and Windows 410
- Scopes Window Shortcuts 411
- Playback and Navigation 411
- Grade Shortcuts 412
- Timeline-Specific Shortcuts 413
- Editing Shortcuts 413
- Keyframing Shortcuts 414
- Still Store Shortcuts 414
- Render Queue Shortcuts 415
- Using Multi-Touch Controls in 417
- Setting Up a Control Surface 421
- Controls for the MCS-3000 424
- Controls for the MCS-Spectrum 426
- Controls in the CP100 427
- F1 F2 F3 431
- F4 F5 F6 431
- F7 F8 F9 431
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