Apple Final Cut Pro 5 Manuale Utente Scaricare il pdf (Pagina 20)

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Final Cut Pro X for Final Cut Pro 7 Editors

If you’re familiar with the powerful audio controls in Soundtrack Pro, you’ll feel right

at home in Final Cut Pro X. New libraries of professional 64-bit plug-ins with custom

interfaces are available in Final Cut Pro X. And support for compressed audio formats

means no more rendering before using MP3 and MP4 audio clips.

Final Cut Pro 7 Final Cut Pro X

Timeline keyframe graph area and clip overlays

for inline keyframing

Audio Animation Editor

Small number of bundled audio plug-ins and limited

support for 32-bit Audio Units plug-ins

Wide range of bundled Logic Studio audio plug-ins

and support for 64-bit Audio Units plug-ins

EQ audio lters 10-band and 31-band EQ controls built into every

clip, with presets for common uses

Support for uncompressed formats only Support for MP3, MP4, and other compressed formats

0 dB and +3 dB audio crossfades Fade handles on every clip with the choice of four

fade types: Linear, S-curve, +3dB, and –3dB

Manual matching of audio EQ Match Audio

Keyframing for volume and stereo panning Keyframing for volume, stereo, and 5.1 surround

panning with animated presets

Audio Fades and Keyframing

• In Final Cut Pro 7, you show the keyframe graph area and clip overlays to control

keyframes directly in audio clips in the Timeline. In Final Cut Pro X, choose

Clip > Show Audio Animation.

• Audio fades in Final Cut Pro 7 are replaced by fade handles in Final Cut Pro X. These

fade handles are available at the head and tail of every clip with audio. With additional

controls for split edits and the exibility of trackless editing, fade handles provide a

higher level of control than standard dissolves. You can Control-click any fade handle

to choose one of the following fade types: Linear, S-curve, +3dB, or –3dB.

• You may be accustomed to applying the Normalization eect in Final Cut Pro 7 to

even out volume changes between clips. Final Cut Pro X includes a Loudness option

built into the Audio Enhancements section in the Inspector, which allows you to

establish more uniform audio levels.

• Final Cut Pro X includes built-in options for Background Noise Removal and Hum

Removal, allowing you to repair damaged or problematic audio.

• Create unique 5.1 panning eects using the controls in the Inspector. Final Cut Pro X

also supports keyframing of surround eects.

• Select the “Show reference waveforms” option in Editing preferences to view visual

information about original audio levels as you adjust levels and add eects to your clips.

Audio Editing

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Apple Final Cut Pro 5 Manuale Utente Pagina 20